This is part of an University assignment. The scope is to analyse the characterization process in a web series. The chosen series is Riese: Kingdom falling. (Falling kingdom of spain users click here)
The web series are a new
format. A new way to explain visual stories. TV taughts us, that the
new formats has new requirements and new challenges to face instead
of the traditional cinema ones. For the web series we face several of
them as the audience atomization, the distribution technological
revolution, (both of them directly related to the production budget)
and the new consuming behavior of the audience. The audience behavior
concerns directly the format. One of the most obvious feature of this
new format is the screen time. The web series chapters takes between
2 as minimum and 20 as maximum minutes. The visual storytelling basis
is the script. Is obvious that is not the same to write a 7 minutes
script than a 50 or 120 minutes one. A lot has been written about
scriptwriting. It's a very wide topic. My interest is on
scriptwriting for web series but due to narrow the topic I'll focus
my essay in the characterization process. The character is a key
point in the story. “Screenplays are usually about a key incident,
and the story is the character acting and reacting to it”i.
To know and to understand how to build and how the characters are
build up is a goal for any scriptwriter. “Create a character and
you'll create a story”ii.
The process whereby the character is build up is the characterization
process. A writer needs screen time to characterize his characters
but, as we already know, the brief screen time is one of the most
representative features of the web video.
The hypothesis for this
essay is that the lack of screen time in the webisode format results
in a bunch of weak characters that hinds the creation of strong
standalone dramatic narratives. The subject of this analysis is
“Riese: Kingdom falling” and the three most important characters
of it: Riese, Amara and Herric. Riese: kingdom falling is an Syfy
(Universal Studios) webisode series debuted on autumn 2009. The
episode length is between 8 and 10 minutes for all of the 10 chapters
that compound the series. Due the low (ridiculously low someone would
think) audience the series abruptly end in the 10th
chapter.
“Every screenplay
dramatizes an action and a character”iii.
“You need a subject to embody and dramatize the idea. A subject is
defined as an action and a character. An action is what the story is
about, and a character is who the story is about”iv.“The
audience's emotional involvement is held by the glue of empathy. If
the writer fails to fuse a bond between film-goer and protagonist, we
sit outside feeling nothing. Involvement has nothing to do with
evoking altruism or compassionv”.”A
characters exists as much as they relate with their environment”vi
“The characters are a reflex from people, people needs to get
reflexed on the characters”vii
We can be reading statements about the importance of the stories'
characters for all the day but the aim of this battery of citations
is to enforce one premise: Weak characters means weak stories.
Three are the character
capabilities in a movie: Talk, act and react. And their objective is
to move the story forward and/or give information due to characterize
characters or contextualize characters, events or facts to the
viewer. Therefore we have the character own words, the character own
acts, the other characters words, the other characters acts, and the
character reaction to them, to build up a character. To think, to
feel, belongs to other storytelling formats as literature, radio or
spoken tales. It's because of this that the voice over is really
criticized by all the experts. The voice over can be used but doesn't
purely belongs to the cinematographic language. Syd Field quotes a
Chinese proverb a propose of this that says: “Tell me and I'll
forget, show me and I'll may remember, involve me and I'll
understand”.
“True character is
revealed in the choices a human being makes under pressure” states
Robert Mckee. In Riese the pressure doesn't change and the choices
are set up in the beginning. Some pieces of the following character
description may look naive “she is bad” , “she is good” but
those descriptions are not more naive than the characters by
themselves.
Riese: She is the fallen
princess and she just runs away from the Sect. She is the lawful heir
to the throne and the Sect wanna kill her as they did with her family
some (is not clear in the series) time ago. She feels alone and she
would like to recover the throne. She is the protagonist. The voice
over is who gives us all of this information. After the first chapter
her identity is a mystery, the viewer just know that a cute girl that
owns a wolf is prosecuted by the bad guys. The continuous flashbacks
about her scape from the Sect during the murder of her family time
ago are a resource that strives to show us the undeserved suffering
of she. Undeserved suffering is the most important empathy trigger in
storytelling. She has a wolf. Lonely animal, like she. This sign is
reinforced in a dialog of she: “I would like you should talk”.
This scene characterizes her loneliness.
Amara: Is the usurper
Empress. After depose the royal family the Sect made she Empress. She
wants to keep her throne and because of this she wants Riese to die.
She is ambitious and bad. She is the antagonist. In the second
chapter the voice over explains us who is she and what she wants.
This character don't evolve in any way. Her conversations with her
henchmen show us how whimsical and ambitious she is. It's a
surprisingly flat character. She is bad and wants to kill Riese. The
voice over uses to explain us her plains while the character appears
looking far away.
Herric: Is The Sect
leader. He is pursuing Riese due to kill her. He is the really bad
guy. He just obeys the Empress and tries to capture Riese. All his
attempts are a fight scene between Riese and three Sect's henchmen
with knives. Riese's wolf beat them and she runs away. Time over
time. This kind of scene appears four times. He is the second
antagonist. This character is the unique that is not explained to us
by the voice over. We realize that he is the Sect commander because
he commands to the minions. We know he is scary because the secondary
characters looks scared when talking with him. We know that he is
serving the Empress because of the dialogs with she. This is the
unique genuine visual storytelling in this series because he is build
up with visual tools. Further, in the last chapter there's an
interesting turning point on his behavior that points that he is not
as loyal as we thought. Anyway there are not going to be anymore
chapters produced so we never will know about this.
Riese: kingdom falling is
a spoken tale accompanied with images. All the story is moved forward
by the voice over. The characterization process is something that the
voice over tell to us, not a thing that really happens. The unique
character characterized is Herric but he has not enough time to
evolute. Another element dramatized that tries to characterize are
the Riese flashbacks about time ago that tries to persuade us about
the suffering that she undeservedly suffered time ago. The events and
the scenes rhythm is the same than a TV series but one difference:
This chapters has a 10 minute length and absolutely nothing happens
on most of them. Riese: Kingdom falling is a really bad series. The
viewers statistics confirms this. Definitively is a spoken tale with
background images. You should consume the same story just listening
the voice over as a podcast.
Due
the lack of time, the web series format requires a really shocking
inciting incident that catches the viewer interest enough time while
the characterization process and the resultant empathy gets done.
Another alternative is to explain stories about transmediatic
characters previously characterized in other stories or products. The
analyzed product demonstrates that less screen time doesn't mean less
work. Well in production terms yes it do but in a writer point of
view the web series requires a sharp wit due to catch the viewer
attention until the next chapter. It's a race against the clock.
Convince the viewer to watch the next chapter before the current one
ends. The viewer statistics of Riese Kingdom falling explains us why
it abruptly ended at the 10th
chapter.
Field,
Syd. (2005). Screenplay: The foundations of screenwriting (4th
ed.). New York: Bantam Dell.
Mckee,
Robert. (1997) . Story: Substance, Structure, Style and the
Principles of Screenwriting.
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